Art and Design, Vol. 3, Issue 3, Sep  2020, Pages 26-33; DOI: https://doi.org/10.31058/j.ad.2020.33003 https://doi.org/10.31058/j.ad.2020.33003

“Chuanling” Art, the Unique Ritual of “Nianli” in Zhanjiang

Art and Design, Vol. 3, Issue 3, Sep  2020, Pages 26-33.

DOI: https://doi.org/10.31058/j.ad.2020.33003

Yunjun Chen 1*

1 School of Fine Arts and Design, Lingnan Normal University, Zhanjiang, China

Received: 15 June 2020; Accepted: 20 July 2020; Published: 30 July 2020

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Abstract

There are various activities and performances in annual “Nianli” of Zhanjiang area, among which the traditional “Chuanling” Nuo technique is incredible and has a unique mystery, which often arouses people’s desire for debate and exploration. This article starts from the historical development of Leizhou Peninsula and the formation of folk belief change, traces the local folk life and sacrificial culture, analyzes the historical and cultural causes of “Chuanling”, and then reveals its goodness, punishment, vigilance, and education through its external manifestations. The cultural connotation of all sentient beings, and its profound social significance behind the positive role and intention of maintaining social stability and unity, promoting rural relations and promoting local economic prosperity and development.

Keywords

Zhanjiang, “Nianli”, “Chuanling”

Copyright

© 2017 by the authors. Licensee International Technology and Science Press Limited. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

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