Art and Design, Vol. 3, Issue 3, Sep  2020, Pages 11-25; DOI: https://doi.org/10.31058/j.ad.2020.33002 https://doi.org/10.31058/j.ad.2020.33002

A Study on Theme Category and Artistic Expression of Lacquer Painting in Ancient China

Art and Design, Vol. 3, Issue 3, Sep  2020, Pages 11-25.

DOI: https://doi.org/10.31058/j.ad.2020.33002

Xuehui Li 1*

1 Graduate School of Design, National Yunlin University of Science and Technology, Douliou, Taiwan

Received: 17 June 2020; Accepted: 9 July 2020; Published: 27 July 2020

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Abstract

The expression form of lacquer painting art in ancient China featured unique distinction in each past dynasty. The study will carry on research on the theme category and artistic expression of lacquer painting in ancient China by adopting historical approach and document analysis method. As shown by the research, the lacquer painting in ancient China was strongly interlinked to value orientation and aesthetical trend of the society at that time, as well as the users’ living custom. The research and category on the expressive themes could effectively enhance the academic circle’s comprehension on the lacquer painting in ancient China; and the analysis on the artistic expression of ancient lacquer painting could further present the indispensable role of this artistic form in the history of Chinese painting.

Keywords

Lacquer Painting in Ancient China, Theme Category, Artistic Expression

Copyright

© 2017 by the authors. Licensee International Technology and Science Press Limited. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

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